David Attenborough: “If we save the sea, we save our world”

The ocean floor is often referred to as the last great frontier – dark, mysterious and menacing all at once. And in my recent research on the arguments and frames used in climate communication, I found that the devastation caused by the rising levels of this shadowy frontier looms large, adding to its perceived menace.

But the new documentary Ocean, narrated by David Attenborough, turns on the light, dispels the shadows, and reveals a habitat just imperilled as the land above.

Backed by spectacular visuals, Attenborough’s wonder-filled voice guides us through miles of ocean floor. He takes us through kelp rainforests, and three-mile-high sea mountains, that host vibrant underwater worlds – bustling societies of marvellous living beings whose lives are so intricately connected.

(Shout out to the boxer crab that uses poisonous sea anemones as its gloves!)

As Attenborough describes it, their lives, much like ours, are so intricately woven together that should one of the species fail, the whole fragile ecosystem begins to wobble, then crumble.

A win-win

One of the greatest threats to these wondrous worlds, as depicted in the documentary, is posed by ruthless fishing trawlers. Their sharp talons claw indiscriminately through these delicate eco-systems that have perfected themselves over thousands of years, leaving carnage and a desolation in their wake – an echo of the desolation we witness in the wake of razed rainforests.

Despite the bleakness, the documentary does remind us that the ocean has one remarkable ability: it heals quickly.

All we need to do is leave it alone. Just for a few years.

We’re repeatedly reassured that we don’t need to stop fishing altogether. Instead, as more than one fisherman in the film emphasises we need to respect and work with the ocean. This may not be a quick fix for the rising sea levels, but it will help. Healthy marine life in a healthy ocean absorbs large amounts of carbon – even more than the rainforests on land. As David Attenborough concludes: If we save the sea, we save our world.

A win-win, no?

How can we help?

I won’t lie, it wasn’t an easy watch. Nor should it be. This is just where we are. But since I was in a theatre there was no looking away. Often, after watching something like this, I feel helpless and wonder what I can do. So, I swear off this and that. But this film offered many hopeful moments. One that struck me was how important the small, often invisible beings and actions are.

Take, for example, the nondescript phytoplankton – it’s no glamourous boxer crab, I’ll give you that. But the whole ecosystem relies on these microscopic creatures, and they absorb billions of metric tonnes of CO2. And unknowingly (at least for most of us), we rely on them too.

And it’s from these micro-organisms that I took hope: every living being, every action we take is important, and does matter in the grand scheme of things.

Concrete action

So, if you’re looking to act, you could sign this petition: https://only.one/act/bottom-trawling (sourced from: Enric Sala)

The documentary is campaigning for 30% of world’s oceans to be preserved from exploitation in anticipation of the UN 2025 Ocean Conference in June, now just about 3% is protected. The film was produced by Silverback films and Open Planet Studios, and directed by Toby Nowlan, Keith Scholey, and Colin Butfield.

Lady Macbeth

The tragedy of Macbeth is often seen as a testament to raw ambition but rarely is it seen solely through the eyes of the women. The ballet drama, Lady Macbeth, I recently saw at the National Opera and Ballet in Amsterdam, shifts the spotlight from the General to the Lady – telling the story through her eyes.

The lead, Olga Smirnova, is absolutely brilliant. Although I was perched high up in one of the nosebleed seats, and couldn’t really see her facial expressions, I was captivated throughout the performance. Each movement radiated fierce emotion, amplified by the extraordinary soundtrack, creating an unspoken dialogue.

One moment in particular stayed with me: the moment when she glides on to the stage to meet her husband after they learn he will not be the next king. The anger she feels – at being overlooked, dismissed – is thick and palpable.

But what has compelled me to write this is the timeliness of the angle taken – by the choreographer Helen Pickett and director James Bonas – to focus on how women lose our power and how we lean on one another. The progression of the acts as they’ve written and choreographed it mirrors the slow erosion of the space and autonomy generations of women have fought so hard to claim.

In Shakespeare’s time, women often had no other avenue but to express their ambitions through the men in their lives. Unfortunately, this dynamic still plays out in many parts of the world today.

If there was one thought that lingered after the curtain fell on this poignant performance, it was this: when women’s spaces—to be, to dream, to lead, and to access their own power—are curtailed, no one wins.

For more on the performance visit the website.

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Talking the (Climate) talk

You may have already come across this climate dictionary by the UNDP. It’s been making the rounds on social media for a while now.

I’ve found it to be an incredible resource that can be used in so many ways!

It’s a patient guide that helps you navigate the nuanced world of climate change terminology. The dictionary identifies and explains quite a few of the confusing terms and concepts one might come across while reading about climate change.

For instance, what is the difference between carbon removal and global carbon capture, and is it the answer to all our troubles? See page 14.

You could extract a specific page and send it to a friend looking for a simple explanation of a puzzling term they’ve just heard – I did it.

If find that it’s more than a dictionary – it’s a quick onboarding to the world of climate change communication.

Where and how did people consume their news in 2023?

The Digital News Report for 2023 by the Reuters Institute for the Study of Journalism is out.

As someone who sells their wares in pretty much the same marketplace as journalists, I find their insights on news consumption very valuable.

In the report, I found three key takeaways that I think are worth sharing. The first really came as a surprise to me.

I recommend reading the entire report. But if you don’t have the time, the summary alone is packed with valuable nuggets of information. Or you could jump straight to the country-specific insights.

 

 

 

 

 

 

 

 

Analysing global news consumption

This latest Digital News Report 2022 by the Reuters Institute for the Study of Journalism analysing global news consumption is a treasure trove of information and insights.

The insights found in it aren’t just relevant for journalists, but are useful for anyone trying to engage with a large international audience.

Below are 5 findings that resonated with me.

I’ve highlighted them because these are trends I’ve observed working on communication for international development too. And who doesn’t like their observations backed up by quantifiable data from a reliable source?

If you don’t have the time to read the entire report, the summary alone is very informative.